Deciphering Culture by Jane Crisp Kay Ferres Gillian Swanson

Deciphering Culture by Jane Crisp Kay Ferres Gillian Swanson

Author:Jane Crisp, Kay Ferres, Gillian Swanson [Jane Crisp, Kay Ferres, Gillian Swanson]
Language: eng
Format: epub
Tags: Social Science, Ethnic Studies, General, Sociology
ISBN: 9781136154560
Google: tognAAAAQBAJ
Barnesnoble:
Goodreads: 18264678
Publisher: Routledge
Published: 2013-07-23T00:00:00+00:00


Notes

1 As described in the back cover blurb of the 1983 Penguin edition.

2 For a more detailed discussion, see J. Crisp (1994) ‘Desiring the Real Dundee’, in P. Fuery (ed.) Representation, Discourse and Desire, Melbourne: Longman Cheshire, 163–83.

3 See P. Adams, (1988) ‘Per Os(cillation)’, Camera Obscura 17: 17–29. See also Camera Obscura (1989) 20–21, special issue ‘The Spectatrix’, for a range of statements by feminist film theorists on this issue.

Bibliography

Anon (1867/8) ‘Women’s Novels’, Broadway Annual, 504–11.

Baudry, J.-L. (1974/1986) ‘Ideological Effects of the Basic Cinematographic Apparatus’, in P. Rosen (ed.) (1986) Narrative, Apparatus, Ideology, New York: Columbia University Press, 286–9.

Bayn, N. (1978) Woman’s Fiction, Ithaca, NY and London: Cornell University Press.

Black, H. (1906) Notable Women Authors of the Day, London: Maclaren.

Carey, Rosa Nouchette (1889) Merle’s Crusade, London: Religious Tract Society.

—— (1905) The Household of Peter, London: Macmillan & Co.

Cowie, E. (1984) ‘Fantasia’ m/f 9, 71–105.

Crisp, J. (1989) Rosa Nouchette Carey, St Lucia (Australia): Victorian Fiction Research Unit, University of Queensland.

—— (1993) ‘Enhancing Communication with People with Alzheimer’s’, Australian Journal of Communication 20, 1: 63–70.

—— (1995) ‘Les Conceptions de la démence: différents modáles de discours sur les déments’, Psychologie Médicale, 27, 3: 180–83.

Culler, J. (1983) On Deconstruction, London: Routledge & Kegan Paul.

Dickens, C. (1894) ‘A Century of Feminine Fiction’, All the Year Round 3, 12: 537–40.

Ellis, J. (1982) Visible Fictions, London: Routledge & Kegan Paul.

Freud, S. (1977) Three Essays on the Theory of Sexuality, Harmondsworth: Penguin.

Gilbert, S. and Gubar, S. (1979) The Madwoman in the Attic: the Woman Writer and the Nineteenth Century Literary Imagination, New Haven and London: Yale University Press.

Gledhill, C. (1988) ‘Pleasurable Negotiations’, in E.D. Pribram (ed.) Female Spectators, London: Verso, 64–89.

Houston, B. (1984) ‘Viewing Television: The Metapsychology of Endless Consumption’, Quarterly Review of Film Studies 9, 3: 183–95.

Kaplan, S.J. (1985) ‘Varieties of Feminist Criticism’, in G. Greene and C. Kahn (eds) Making a Difference: Feminist Literary Criticism, London and New York: Routledge: 37–58.

Kolodny, A. (1986) ‘A Map for Rereading’, in E. Showalter (ed.) The New Feminist Criticism, London: Virago, 46–62.

Kristeva, J. (1986) ‘Revolution in Poetic Language’, in T. Moi (ed.) The Kristeva Reader, Oxford: Basil Blackwell, 90–136.

Lacan, J. (1966) ‘Le Stade du miroir comme formateur de la fonction du Je’, Écrits, vol. 1, Paris: Seuil, 89–97.

Metz, C. (1982) The Imaginary Signifier: Psychoanalysis and Cinema, London: Macmillan.

Miller, N. (1988) Subject to Change, New York: Columbia University Press.

Moers, E. (1979) Literary Women, London: Women’s Press.

Mulvey, L. (1975) ‘Visual Pleasure and Narrative Cinema’, Screen 16, 3: 6–18.

—— (1977–8) ‘Notes on Sirk and Melodrama’, in C. Gledhill (ed.) Home is Where the Heart Is, London: British Film Institute, 1987, 75–9.

Oudart, J.-P. (1977–8) ‘Cinema and Suture’, Screen 18, 4: 35–47.

Penley, C. (1985) ‘Feminism, Film Theory and the Bachelor Machines’, m/f 10: 39–59.

Radway, J. (1987) Reading the Romance, London: Verso.

Schor, N. (1987) Reading in Detail, London: Methuen.

Sherman, B. (1991) Dementia with Dignity, Sydney: McGraw-Hill.

Showalter, E. (1977) A Literature of Their Own, London: Virago.

—— (1986) ‘Towards a Feminist Poetics’, in The New Feminist Criticism, London: Virago, 125–43.

Silverman, K. (1988a) The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema, Bloomington: Indiana University Press.



Download



Copyright Disclaimer:
This site does not store any files on its server. We only index and link to content provided by other sites. Please contact the content providers to delete copyright contents if any and email us, we'll remove relevant links or contents immediately.